Theatrical and dance design, the book includes a quick (lighting, sound, scenery, costumes, projections), stageĮntertainment Design & Technology program-one Personnel, performance spaces), design disciplinesĮastern Michigan University, where he created the Jeromy Hopgood is a tenured Associate Professor at
Production planning (collaboration, production process, Hundreds of full-color illustrations and stunningĬhapter-by-chapter projects and exercises for students.Ĭompanion website with chapter reviews, hand-outs, videos, bonus chapters, and additional projects. Performance offers up unique intricacies and challengesĮssential resource for dancers and designers alike. Interviews with international working professionals in the dance industry, including choreographers, Production from a balanced perspective, making it anĬovering a broad range of topics, author Jeromy Hopgood takes the reader through the process of producing dance from start to finish, including pre. Unique book approaches the process of staging a dance Martha Graham Dance Company, David Dorfmanīody, and costumes that complement movement. May not seem that staging a dance production is that different from a play or musical, in reality a danceĭancers, designers, and stage managers fromĪll on its own, from scenery that accommodatesĬompanies such as Paul Taylor Dance Company,Ĭhoreography, to lighting design that sculpts the You to the skills you need to plan, design, and execute the technical aspects of a dance production. Interview The Stage Manager’s Perspective: An Interview with Julie Ballardĭance Production Dance Production: Design and Technology introduces Interview The Projection Designer’s Perspective: An Interview with João Beira Interview The Costume Designer’s Perspective: An Interview with Liz Princeġ2.3 Functions of Dance Projection Design (What Projection Design can Accomplish) Interview The Scenic Designer’s Perspective: An Interview with Campbell Bairdġ0.2 Functions of Dance Costumes (What Costumes can Accomplish)ġ0.3 Properties of Dance Costumes (Controllable Qualities of Dance Costumes) Interview The Sound Designer’s Perspective: An Interview with Sam Crawford Interview The Lighting Designer’s Perspective: An Interview with Seth Reiser Interview The Production Manager’s Perspective: An Interview with Stacey-Jo MarineĤ.2 Functions of Dance Lighting (What Lighting can Accomplish)Ĥ.3 Properties of Dance Lighting (Controllable Qualities of Dance Lighting) Interview The Choreographer’s Perspective: An Interview with Julia Gleich 1.4 Collaborative Models-How we Work Together?
0 kommentar(er)
